Black Man Black Woman

Tag: Chris Rock

  • Chris Rock Gets Real Sensitive About AOL and Good Hair

    Filed under: ,

    Maybe everybody hates Chris, but I don’t hate him at all. Most of us know Chris Rock for the genius that he is, and the way he intelligently and hilariously describes the world around us. So, you can imagine my dismay when I got a call from Charlamagne Tha God, morning host for 100.3 “The Beat” in Philadelphia, who told me that Chris Rock had some choice words for AOL Black Voices and the criticism he has received for his film, “Good Hair.”

    Chris seemed to feel that those claiming that the movie bombed at the box office were incorrect, since the film was only released in a few theaters. He even (accurately) explains that saying his film bombed is like “comparing the movie ‘He Got Game’ to ‘Star Wars’.” Good point. Here are some other issues that Chris brought up and how some of these issues relate to wealth, power and ownership.

    Chris discusses how difficult it is to do shows, commentary and films for a black audience. This is true, given that African American audiences are not as large as non-black and global audiences. In fact, when Ice Cube (my favorite rapper) released “Janky Promoters,” one of the statements made by an executive at the studio was that black movies have almost no global sales market. I am not sure if this was a racist fact or not, but it certainly is a fact.

    Chris’ interview (below) was quite intriguing for a number of reasons:

    1) He was criticized for saying that Oprah looks like a slave in one of her pictures. He says that he wasn’t saying that she looks like a slave (Oprah is one of his wealthy and powerful friends, he wouldn’t be that stupid – I learned firsthand about the backlash you can get from criticizing Oprah); he was saying that the picture was so old that it looked like a slave picture.

    2) Chris seemed incredibly emotional and highly flustered in the interview. I am not sure if this is an act, but I certainly hope it is. Chris Rock is a vet in the game, and I’d be shocked that he would be so sensitive about criticism for his film. Chris sounds like he needs a hug from his mama. If his mama is not available, he can borrow mine.

    3) Chris mentions in film that black men can be portrayed any old way, while people seem very sensitive to any portrayals of black women that are in the least bit critical. I actually agree with Chris when he says that anyone who criticizes his film needs to see it first. Also, being critical of black women is not exactly a popular thing to do – I find it interesting that all the problems of the black family and black relationships mentioned in Essence Magazine tend to be blamed almost entirely on men. The truth is that in a community, it takes two genders to Tango.

    4) Chris is a businessman: He mentioned that he would not release a film about black women if black women didn’t like it. During survey testing, he claims that 99 out of 100 black women like the film. The lesson here is that most products are not released to the public unless they are fully market tested. Also, the size and scope of the African American market makes room for a small number of films. At the same time, it is my hope that Chris Rock and others will take ownership of the film making process to ensure that more movies are made for black audiences, using appropriate images. Anyone who saw the “ghetto girl” in the cinematic flop “Couples Retreat” knows what I’m talking about.

    5) He seems to have a bit of a beef with AOL Black Voices. When asked about critical comments that Chris received in AOL BV, the entertainer went back into “Need-a-hug-from-mama” mode. I have two things to say to Chris: First, AOL Black Voices is PLURAL, implying that there is no one voice, but many who represent a variety of viewpoints. I, for one, think that Chris Rock’s work is outstanding, but I don’t represent all opinions on this site. Secondly, if Chris has a concern with comments that have been made, he should do what he did today – stand up for himself!

    In China, they have a saying, “The fattest pig will always get slaughtered.” Chris my man, you’re the fat pig – so don’t be surprised when the haters come out to turn you into pork chops. But make sure you also remember that everybody doesn’t hate Chris, a lot of people think you’re pretty cool.

    Dr. Boyce Watkins is a Finance Professor at Syracuse University and author of the forthcoming book, “Black American Money.” To have Dr. Boyce commentary delivered to your email, please click here.

     

    Permalink | Email this | Linking Blogs | Comments

  • Girl, You Got Some “Good Hair”, Is It Yours?

    Posted by: Melyssa S. Ford

    In late 2007, I was asked by my good friend Nelson George to be a part of a documentary he and Chris Rock were co-producing about black women and their hair. The idea originated from Chris’ curiosity about the concept of “good hair” after one of his adorable daughters came home and asked, “Daddy, why don’t I have good hair?” This began a year and a half long journey that led Chris all over America, through barbershops and hair salons, interviewing the every man and every woman, celebrities and hair care experts; a visit to the great Bronner Brother’s Annual Hair Show in Atlanta and eventually to India, where a significant portion of weaving hair originates from. Although I thought the idea was ‘cute’, I didn’t put that much stock into the film or its concept and quickly forgot about my appearance in it as other projects came up and demanded my attention.  Fast forward to the present, late 2009 where the documentary has been completed and is blowing people’s minds at every single screening it is shown at.  Film festival audiences and guests at special screenings are leaving the film finding themselves thoroughly entertained and also more informed than ever on the relationship between a women, more specifically black women, and their hair.

    After seeing the film myself, I couldn’t help but reflect back on the first time I got a relaxer.  I was 11 years old, about to enter the seventh grade and my hair was completely virgin hair; a big huge Afro that was the result of re-growth from previous years of my disasterous Jheri curl phase.  From the moment my hairdresser spun me around to look at my reflection after the process was complete, I became a certified addict to the “Creamy Crack”.  That is what most of us refer to as relaxer, and its effects usually lead to a lifetime dependence.  To have edges that lay flat, to have our roots straightened out, to have our hair actually move by the whisper of a slight breeze keeps us in the salon chair every 6 to 10 weeks, getting our regular touch ups.  Never mind that most of us, at some point, have suffered excruciating pain at having been burnt by the chemical process being left on too long; forget the fact that the main ingredient in relaxer is sodium glygoglate, which can completely erode and dissolve aluminum and other metal materials; and let us not even consider that once we’ve put this chemical on our hair, we not only alter and damage the composition of our hair, we seemingly buy into the idea that the natural structure and texture of our own hair is substandard to our female counterparts of other races and nationalities.

    “Good Hair” is more than just a film about our concept of what “good hair” actually is; it’s a journey into the $9 billion dollar black hair care industry of which we only own and operate a small, insignificant percentage of.  For an industry that is so specific to the black race’s needs and for us to not completely dominate it from a manufacturing and retail standpoint shows a lot about our perception of freedom and the reality of modern day oppression.  The notion that we, as black women indulge in our choices to wear our hair in so many different ways and styles depending on the type of hair we purchase or the chemical process we undergo, the film will have you second guessing as to whether it’s a choice at all, or a form of voluntary slavery that is both economic and psychological.

    I encourage all of you, both men and women of all races and nationalities, to see the film when it hits theaters on October 9th and keep the debate going here on Global Grind.

     

    Thank you for reading.